Showing posts with label memoir. Show all posts
Showing posts with label memoir. Show all posts

Friday, December 9, 2016

Magdalena Ball #25: Gut Feeling

Gut Feeling

Not everything in the memory banks is linguistic. At ten months, I had some language. For example, I was able to shout “Mommy” while banging on the bathroom door. I was able to walk, label many things, and to clearly articulate what I wanted. I wasn’t able to verbally explore the complexities of fear. It was more of a smell, a colour, a visceral sensation that might have had its origins in the pit of my stomach, rather than the prefrontal cortex.

I felt it coming on before the incident: a buzz through the skin, a sick anticipation. My mother was tired, pacing the apartment, not cooking, not eating, and crying continuously. I couldn’t articulate the foreboding and get help, though I groaned with stomach pain. I could barely say my own name. But in the moment when she disappeared into the bathroom, I knew we were in trouble, and if I couldn’t get that door to open, the world would end.

I banged until my knuckles were bruised. I shouted until my throat was raw, and though I don’t remember what happened beyond that point, help must have arrived in the form of my grandmother, who was always visiting. She took over, got my mother to the hospital to be painfully brought back to life, crying “I just wanted to sleep”. Once Grandma was in charge, talking sharply to my mother about my future and her obligations, and cleaning/cooking/sorting, it was clear that we were going to be okay and I could go back to being a baby. After that language flooded in.

Language became a panacea. I had learned that safety was temporary, and that fear was something I would need to learn to navigate.  I would need to become stronger, tougher, and more fluent with words to survive.

Tuesday, December 6, 2016

Magdalena Ball #22: Ocean Eagle


Ocean Eagle

Puerto Rico, alone
my first airplane
momma on the other side
her last holiday
before agoraphobia

while the uneventful flight
moved up the Atlantic
the tanker Ocean Eagle ran aground
at the entrance to San Juan Harbor
and broke in two

five thousand tonnes of Venezuelan oil
spread westward
from Punta Salinas to Condado

my mother’s arms opened
at the airport
and I ran to her

Playita del Condado
had small waves
golden sand and palm trees

the ocean warmed my winter bones
momma wore pointy sunglasses
and watched me play for hours

while the sun burned
ghost white apartment skin
sardines were stressed

we didn’t know it yet

until the chemical aroma
of crude wafted in
tarballs began to appear in the ocean
then on my body, inking tattoos
that had to be scrubbed off
with a wire brush
by strangers
more concerned than kind

three hundred pelicans were killed
oiled to death
diving headfirst into the water

among the casualties were sea urchins
spiny lobsters, and octopi

after that the beaches were closed.


photo credit: tubblesnap Pollution via photopin (license)

Monday, September 19, 2016

Lizz Murphy - Poem 260: Train xii.


TRAIN

xii.

A prominent poet is interested in my history
So you won’t have ‘survival guilt’ but you would have ‘migrant guilt?’
I take this away with me
It is tucked in the leaves of their poetry books
stashed in my suitcase sitting on the luggage rack 


Sunday, September 18, 2016

Lizz Murphy - Poem 260: Train xi.


TRAIN

xi.

Remembering
How after the event the famous poet
entertained in a broad brogue
They were all Protestants and they all walked like that
his back bent over his knees buckled his arms reaching
like the men who had carted cement most of their lives
He was sixteen his first job he lasted a day
His wife the musician said simply near my ear
Oh he’s well oiled

 

Saturday, September 17, 2016

Lizz Murphy - Poem 259: Train x.



TRAIN
x.

I remember walking up steep slopes
the green veined with black where the turf had split
How it reminded me of my mother saying she couldn’t believe
we’d lost our father’s pen
How she had presented it to us after his death
dark green marbled black
The nib silver as the broad rushing ocean 


Sunday, September 4, 2016

Lizz Murphy - Poem 244: Lilt xxxiii - Men's talk (nod to Myron Lysenko)


Nod to Myron Lysenko's Father's Day with thanks


LILT xxxiii.

MEN’S TALK

Gallagher’s Blues or Gallagher’s Greens who’s got the yellowest thumb and fingers The soft tuth tup of tobacco threads shed from tongue tip brown pinstripes hitched up above knees head back laughing at some joke Brylcreemed brunette waves oily impressions on white antimaccassars  all day Sunday newspapers here read the cartoons his interest in words his gentle talk his weak  heart his short dear life


Saturday, August 27, 2016

Lizz Murphy - Poem 236: Lilt xxxii. The Shankill Butchers


LILT xxxii.
THE SHANKILL BUTCHERS

c. 1968

I buy a mini kilt
and a gold maple leaf pin 
with green and white borders
My grandmother says
people will think I’m a Catholic
I say sure it’s all one god


c. 1975

We’re in Australia 
Ten Pound Immigrants
My mother writes 
glad you went they’re cutting 
the throats of mixed couples
I say there’s no god worth that 




The Shankill Butchers was a notorious loyalist gang in Belfast’s Shankill area, which kidnapped, tortured and murdered random Catholic civilians 1975-1982. See https://en.wikipedia.org/wiki/Shankill_Butchers online [accessed August 27, 2016]. At the time there were also reports of mixed (Catholic and Protestant) marriage killings. 

Thursday, August 11, 2016

Lizz Murphy - Poem 220: Lilt xxxi. The rise of the non-religious


THE RISE OF THE NON-RELIGIOUS

Of course, we are not arguing that the movement
of the Holy Spirit can be mathematically modelled


The church of my own childhood is a showroom and a restaurant  another reduced to brick and rubble as we watch the atrium still eerily standing like some portal to a broken hereafter There is a steep decline in the faithful or another way to put it: 150 years of the rise of the non-religious There are statistics and graphs percentages and fractions predictions and mathematical models of the committed the affiliated the non-religious The non-religious are mixed: no religion, atheists, Jedi Knights, heavy metals, free thinkers and those ‘other’ Protestants are a minority and there is no hope for reconversion



--
Reference:
'Collapsing Churches in Northern Ireland?' Saints and Sceptics 
Accessed online: August 11, 2016 URL: www.saintsandsceptics.org 
  


Wednesday, August 10, 2016

Lizz Murphy - Poem 219: Lilt xxx. Church


LILT xxx.


CHURCH


I am standing on my old main road looking across at the church I attended as a child most Sunday mornings It is larger and more elaborate than I remember it I don’t know what to make of this I wonder if it is still cobalt blue inside Heavenly I remember the gentle reverend and how he surreptitiously gave me a correct answer in my Sunday School test the dilemma he unwittingly created Will I be rude if I don’t change my answer will I be a cheat if I do How relieved I was that I didn’t my 99 per cent achievement all my own I google Ulsterville Presbyterian Church on my return see they still have their missionary drive I google again tonight There is a lot of press from 2013 it’s turrets towering into the evening sky spotlights accentuating the stonework The new Sapphire restaurant is in the rear a high-end furniture showroom in the front

Tuesday, August 9, 2016

Lizz Murphy - Poem 218: Lilt xxix. Dancing the Schuhplattler


LILT xxix. 




DANCING THE SCHUHPLATTLER


I demonstrate German dancing slapping thighs

slapping knees slapping feet and for a finale

slapping faces Her glasses fly from her face

her tears fly from her eyes  she flies inside to

her mammy me calling but that's how they did

it on the TV! It was a long time ago I still feel bad

Tuesday, August 2, 2016

Lizz Murphy - Poem 213: Lilt xxviii. Rise





RISE
Public artwork on the Broadway roundabout off the Falls Road in West Belfast. Artist: Wolfgang Buttress, 2011, white and silver steel, 37.5 m high x 30 m wide.

The newspaper calls it a Meccano artwork
The structural engineer hopes it will inspire children to be engineers
The city council hopes it will inspire unity and a new dawn
The artist references the sun and the reeds before us
The locals call it The Balls of the Falls
On a better day it’s the Westicle
They like it


Great images of Rise here.