Showing posts with label free verse. Show all posts
Showing posts with label free verse. Show all posts

Thursday, April 18, 2019

JC Inman #1 If You Were To Dig


If You Were To Dig

Baguio gold and Marcos blood beneath my feet.
Yamashita’s too.
The monsoon rain soften the ground
Soon we will plant beneath the banana leaves
Peace lilies.
Deeper you dig, the worse the soil is.
A layer of old sayote vines,
Rotten fruit, the dust of sawn pine
And retting fern fronds.
Overturn the compost, dig it in.
The graft is hard, dirty, resists the shovel.
Soon we will plant beneath the banana leaves

Peace lilies.

Saturday, November 5, 2016

Lizz Murphy - Poem 310: In the health centre underground carpark



IN THE HEALTH CENTRE UNDERGROUND CARPARK

He props against the car
waits patiently expectantly
She lugs his fold-up wheelchair
out of the car
Not enough disability parks
her space is cramped

He sits in the wheelchair
She attempts to adjust a footrest
bends from the hip
to save her back
hair not quite sweeping the ground
cheeks flushing

Caring is like that some days
tangled
arse up
not caring


Monday, July 11, 2016

Lizz Murphy - Poem 192: Lilt x. Drink feckin responsibly!


LILT xi.


DRINK FECKIN RESPONSIBLY!
for Aroona and Mags

They get straight to the point
Drink feckin responsibly
Take the feckin taxi
The taxi we took on our night out
was a karaoke taxi
He was sittin outside the club
waitin for his hens’ party to return
One of the girls chatted him up
took him off duty to take us
to our next venue
We’re all in the back
with microphones in our hands
tryin to sing
sayin is this switched on
can they hear us outside?
We are wettin ourselves
We arrive at the next club
all arguin to pay
fumblin with coins for the fare
The driver says
Give us 50p each and fuck off!
We tumble on to the footpath
laughin’ our heads off


A Belfast taxi. Photo: Aroona Murphy


Saturday, June 18, 2016

Lizz Murphy - Poem 170: Giving up art to sit before a computer (after Anna Couani)



GIVING UP ART TO SIT BEFORE A COMPUTER
after Varnishes (#161 ) by Anna Couani

Forehead smudged Sienna
nails underlined Sap Green Crimson Lake
jeans smeared Veridian Alizarin
the pace of the floor
easel to wall wall to easel
over and over
the arc and swing of bristle brush
Cobalt planes
work in white
draw the Prussian tube
linseed scent
Scrolling scumbling
on plate glass palette
the dribbling consistency of
that Cadmium Orange and Yellow
no one else seemed to want 
(cheap)

Redolent recollections
idling at the desk
plucking at keys
deciphering Artline black
crossing my T’s
crossing my eyes
(and broadening my arse)
Or standing in a gallery
before old varnished masters
French Ultramarine
Crimson Lake
Naples Yellow
They knew white is not white
they knew the weight
(one lighter than the other)
they knew colour


With thanks to Anna Couani for permission to use the line: 
giving up art to sit before a computer from Varnishes

Tuesday, May 31, 2016

Lizz Murphy — Poem 151: In the frame (with Sarah)


In response to Sarah St Vincent Welch's With Lizz



IN THE FRAME (WITH SARAH)

A long awaited coffee
splash of red framed by orange
Old time’s sake
precious writing mornings
What colour were the 90s

A scarlet man on his smart phone
The memory of a raptor’s hindquarter
framed in my car window
A hawk like torn tan bark
its catch limp-winged
The reflection of the barista

In the corner a chuckly breast-fed baby
Sarah is laughing I am laughing
her eyes searching out a poem
poking it into her phone
She thinks I’m writing about testicles
(honestly – they were kestrels)
Note to self: improve handwriting

She is serious now
hair hooked back
Concentration
The tangerine saucers walk me again
through 70s suburbs
Orange is a happy colour we agree
but I still hate those orange curtains

Wednesday, April 6, 2016

6.4.2016 (#96) Vaporised by Myron Lysenko


‘Sasha’ Yuvchenko was in his office between reactors 3 and 4
when he heard a heavy thud then an explosion.
“Seconds later I felt a wave come through the room.
The thick concrete walls bent like rubber,  
I saw a cloud of milky grey dust and steam and the lights went out.
I thought war had broken out.
I was ordered to find some stretchers.
We looked for Valery Khodemchuk, the pump operator
but he had vaporised, we never found anything of his body.
That section of the building where he worked had disappeared.
Steam wrapped around everything;
it was dark and I heard a horrible hissing noise.
There was no ceiling, only sky; a sky full of stars.
A blue glow of ionized air was shooting up from the reactor.”

Yuvchenko and three others climbed a stairwell to Level 35
to inspect the damaged reactor hall. He stayed outside,
keeping the heavy hall door open with his shoulder. 
The three men hurried in, saw the destruction and ran out
closing the door behind them. Yuvchenko noticed
how grim and distorted their nuclear tanned faced looked.
"You don't feel anything at the time,
we had no idea there was so much radiation.
We scrambled away and met a guy with a dosimeter
and the needle was just way off the dial.
Even then, we were still only thinking 'Rats,
this means the end of our careers in the nuclear industry.
We all thought, 'We've been exposed now,
this has happened on our watch.'

Sasha’s throat was sore, there was a metallic taste
in his mouth and he started to vomit uncontrollably.
By 5am, he was too weak to walk.
He was taken to hospital, was seen once by a nurse
and interviewed three times by the KGB.
The next night Sasha and his badly injured co-workers
were flown to Moscow. He lay in his hospital bed
listening as one after the after
his three colleagues died and Sasha waited for his turn.
“It is a horrible way to die,
burnt from both inside and outside.”
Doctors measured the fall
in his white blood-cell count and told him
he'd received 410rem, usually a lethal dose.

Sasha and those who had started to vomit early
were given bone-marrow transplants
and continuous blood and plasma transfusions.
He pulled back the sheets to look at his wounds
and a cloud of black dust rose off his body - his dead skin.
Where his body had touched the door -
his left shoulder, hip and calf –
the radiation had eaten away at his flesh,
deep into the tissue of his swollen arm.
“Like all the others, I should have died.
The doctors told me if you've survived this,
you shouldn't worry about anything else
for the rest of your life."
They didn’t say how long or painful that life would be. 

Sunday, March 27, 2016

27.3.16 (#86) Bus to Happiness by Myron Lysenko (ta Lizz)

(Inspired by Lizz Murphy)

At the bus terminal
the queue to catch a ride to Happiness
was long and disorderly;
people chatted and laughed.
I had bought a ticket
to Poetry Lakes
but that bus was empty,
the door was locked
and there was no driver.

So I stood at the end
of the queue to Happiness
pretending I belonged there.
An inspector asked to see
my ticket and my hand trembled
as I held it out to her.
She glanced at the ticket
and looked into my eyes
until I lowered them.

You know your ticket
doesn’t go to Happiness,
she said, not today.
She adjusted her hat.
Does my ticket
pass through Happiness, I asked.
Yes, but the bus doesn’t stop there. 
But the bus to Poetry Lakes
has broken down, I said.

I don’t know why
they sold you that ticket,
she said. Did you tell them
you wanted to travel today?
She touched my shoulder.
It’s ok, she said, hop on
this bus and get off at Happiness
then walk up that steep hill,
away from the town.

Follow the road to the cemetery.
You’ll find your destination
at the top, the view is amazing there.
The people in the queue
had been listening in
and when the inspector left
they all remained silent.
I couldn’t look at them.
I heard them breathing.


Tuesday, March 8, 2016

8.3.2016 (#67) Before the Disaster by Myron Lysenko

Most of the region is woodland
wolves and wild boar thrive in forests
wolves in broad daylight, lynx tracks in snow
and huge herds of boar, roe deer, and elk
ducks, egrets, swans, and black storks feed
as a moose watches from the other side of the river.
There used to be farms here.

Chornobyl is a Ukrainian word for mugwort,
the words chornyi and byllia,
mean "black grass" or "black stalks".
It is close to the capital Kiev
not too far from the borders of Russia and Belarus.
Its name first appeared in a charter of 1193,
described as a hunting-lodge.

It became a crown village of the Grand Duchy
of Lithuania in the 13th century.
In the second half of the 18th century,
it became one of the major centres of Hasidic Judaism.
In 1919–20 it was taken first by the Polish Army  
and then by cavalry of the Red Army.

Soviet dictator Joseph Stalin built collective farms
and moved thousands of farm workers there.
Two world wars were fought there on the ground.
The nearby marshes were partially drained by canals
and turned into farm fields.

The Chornobyl Nuclear Power Plant
was commissioned in 1977.
Before the nuclear accident in April 1986,
Chornobyl’s population was 14,000 residents
Once a former cultural centre,
now an abandoned, ruined ghost town
with a population of seven hundred. 



Monday, March 7, 2016

7.3.2016 (#66) Cape Schank by Myron Lysenko

two young men in a white kombi van
the engine loud through open windows
radio on it’s daddy cool living in the 70’s
I’m not in Love Bohemian Rhapsody
driving a hundred kilometres to the coast
towards the cliffs and rocky beach of Cape Schank
and one says to the other, I’ll teach you how to drive
and as he’s learning to drive up the highway
they talk about relationships caving in
casual jobs as set movers for the Australian Ballet
the shock sacking of the great Gough Whitlam

they arrive at Cape Schank mid-afternoon
and there’s nobody around no cars nobody just them
so they carry backpacks and sleeping bags down the steps
the steep winding wooden steps hacked into basalt
down to the beach to the narrow strip of sand among the rocks
and they run out towards the sea drawn to it under birds
the waves rumble in front of them rushing at them
shit the tide’s coming in is it yeah run
and they run as the tide crashes in towards them over the rocks
threatening to crush them against the big rocks by the cliff
and as they jump away from the wave a  backpack falls into a rock pool
one of them retrieves it before the sea can grab it away from them

needing shelter they gather enough driftwood rock and sand
to make a tiny hut in the gathering dusk they build something
with three walls and a roof and it’s just  big enough for them
to lie in it side by side in sleeping bags
they gather firewood but the matches are wet
night falls all over them on that windy cold beach
neither of them has brought a torch
they lie in the hut in the dark eating bread and cheese
agreeing that Whitlam will surely be voted back in
and that’s when the roof caves in on them
and the walls on either side of them collapse


Sunday, March 6, 2016

#60 Kevin Brophy ‘Creatures of the night’

Dead grasshoppers are swept
from the doorstep this morning—
our visitors last night,
knocking themselves out
on the door,
the windows, our tin walls,
as patient and persistent as the plague.

The empty house across the road
flickered last night until we woke,
its verandah light activated
by a ghost dog wandering up and down
looking for its master.

The gekkoes slip away from under
our feet during the day,
friendly and incontinent
as ducks around the floors at night.