the
statues have fallen
after
Auden
how far it
is
from the
standing grain
to the
plate of buttered bread
before
lamps and
shadows
teacups,
the newspaper
as if
object in series
as if days
made a calendar
before
the
trouble with rheumatics,
with
indigestion, gout
glad
sufffering of fools
a book of
blank pages
the
question of sag
typewritten
scraps
and
fingers in ribbon ink
now for a
view
glad
peasantry
the noble
picnic
in other
rooms
the
unshaven faces
the hanged
the
jackboots
and the
Nazi steel
cigars and
cocktails
salutes
for the leader
the clergy
all signed
up
for the
kill
how far it
is
from the
standing grain
to bread
buttered on the plate
before
the songs
of liberation
sung to a
rhythm of gunfire
the theory
of some butterfly
has lost
its mountain and must be chased
blue tango
through
the ruins
and here
one truth of superstition
this Don
Quixote clown dictator
toil of
the fields
the happy
snaps
picnic
with master on horseback
all
traditional costumes
flamenco
cheers for
the death of the caballero
blood
dripping from a telephone
the radio
broadcasting blood
red
everywhere
lips of
chess
the cross
above the blackboard
the
carnival tower
and memory
of conquistadors
glories in
sepia
Christ to
take us all away
here
lights shone in their faces
and the
music still playing
past the
last rung
only air
peasants
of the peninsular
like the
native
greedy for
freedom
wanting it
all at once
the sea
keeps lapping
I take you
in my arms
rough
stones of the shore
horizons a
blue funnel
and tears
to rend a face
how far it
is
from the
standing grain
to
buttered bread on a plate
(from Picasso's 'Dream and Lie of Franco' series)
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