admit it you've always liked living
dangerously residing so close to tracks you can easily lift
yellow preventive bars open the emergency access gates
your son showed you how to get around the security measures
you're proud of that, he's learnt well: resistance is always possible
they don't advertise the 'incidents' in the press
for fear of copy-cats but he shows you the bar to push upwards the gate latch to unlock
you could be running late scared running
out of time not sleeping eating washing
gelling up your hair plastering foundation on flesh you could be
Bret Easton Ellis said people were afraid to merge on freeways in Los Angeles
that line got tangled in Clay's mind for an uncomfortably long time
it wasn't really about driving home from LAX or steering towards on-ramps
what does Clay think they'll do - collide? caress each other's steel frames?
were they afraid to merge but not on freeways
to touch when nothing else mattered but a few throwaway
words about merging not merging nothing
else seems to matter when you're not
afraid
do people sniff out fear on freeways train-tracks airport off-ramps
do we write our way out of it lying in bed, sleeping (not)
swearing the photograph on the wall is dangling uneasily
swinging like a noose
hesitating, but not for long
then toppling across your throat, neatly guillotining
the critical arteries what a relief
not a drop of blood not a merging of tear drops
on American freeways Melbourne train tracks what a relief
no blood sweat tears no fear of merging just lines that stay in your head
for an uncomfortably
long time
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ReplyDeleteThat is quite beautiful, Kristen. Off the grid (like so many of your poems), it bleeds understanding. And then compassion lifts it up.
ReplyDeleteThanks dear Rob for your kind feedback - I think your reading has really 'nailed' the poem!
DeleteLove your work Kristen. Love this poem.
ReplyDeleteThanks so much Claine - I'm glad my work speaks to you (and vice-versa! your wonderful writing really hits the spot with me too!)
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