I want to find the hero’s journey so I can jump cut to that
point where she refuses the call. And then
stall there a while, treading water and feeling whatever it is that stalls her. Fear. Sadness. Doubt.
Confusion.
And then on to tests, allies and enemies. The thick of it. A testing of mettle, a forging of
relationships, both good and bad.
Why does this work, time and time again? Why does it work so well that if feels new each
time? Why does adherence to this formula
make good a story, and failure to adhere, compromise satisfaction and gut
meaning?
I look to these tools to help me answer the question, where
to next? Who meets who, does what, and why?
I am fearlessly conformist.
lol, the delightfully conjoined questions of difference and closure. :)
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