Wednesday, June 22, 2016

Jill McKeowen #11 Photo 2

The photograph becomes a counter-memory*

This photo proposes a memory:
my parents stood on the bank
of a creek shaded by scribbly gums,
my young mother pressing kisses
of love to my baby self
as my father looks on, his
left hand cupping my tiny head,
the palm of his other hand open
to balance his rifle upright  
while two fingers hold a smoke;
I have no recollection of course
but later in childhood will trace
the paisley patterns and glass buttons
of that shirt she still wore,
will find (and dare to touch),
in the deepest corner of the wardrobe,
the cold black metal of the gun,
the smooth wood of the stock;
shirt and rifle will confirm
the testament that I
was there by the creek
in her arms, in his sight,
but my presence that day
exists only in this, a paper
capture of light and shadow. 



*Roland Barthes, Camera Lucida

2 comments:

  1. I like this poem for all that is left unsaid. Did the father, desert, die or was he simply just there on that day in 'unmemory'.

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  2. Yes, it's a very haunting poem. And the gun is unnerving. Really good.

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